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    The number of elephant deaths is increasing alarmingly. This campaign has sought universal participation. It cannot be overstressed that renowned elephant experts such as Prof Raman Sukumar had helped launch this movement.

    Dharitri has opened a new chapter on the issue of elephant protection in the country and has been diligently carrying regular news and features on this theme. Any discussion on Odia life and culture is futile without a word on Lord Jagannath. Since its inception, Dharitri has been featuring news, articles and special pages on Jagannath culture, rituals, festivals and services of the deities.

    Last but not least, Dharitri, known for its gritty and intrepid editorials, has been highly appreciated by readers for its unmatched courage to speak the truth regardless of whose feathers are ruffled. In fact, Dharitri has been providing wind to its sails of progressive ideology unprejudiced by age old biases.

    Madhavi Pattanayak or Madhavi Dasi is considered as the first Odia woman poet who was a contemporary of Prataprudra Deva and wrote several devotional poetries for Lord Jagannatha. A new form of novels in verse evolved at the beginning of the 17th century when Ramachandra Pattanayaka wrote Haravali. The prominent poets of the period, however, are Dhananjaya Bhanja born AD , Dinakrushna Das born AD and Abhimanyu Samantasinhara.

    Their poetry, especially that of Upendra Bhanja, is characterised by verbal tricks, obscenity and eroticism. He was conferred the title "Kabi Samrat" of Odia literature for his aesthetic poetic sense and skill with words.

    He wrote 52 books out of which only 25—26 are available. He alone contributed more than words to Odia literature and is considered the greatest poet of Riti Juga.

    Bidagdha Chintamani is considered the longest Kavya in Odia literature with 96 cantos exceeding that of Upendra's longest kavya of 52 cantos. A new form of poetry called "Bandha kabita" also started during this time where the poet wrote the poem within the bandha or frame of a picture drawn by him.

    Upendra Bhanja was the pioneer in this form of pictorial poetry. His Chitrakavya Bandhodaya is the first such creation containing 84 pictorial poems. Kabisurya Baladev Rath wrote his poems in champu mixture of prose and poetry and chautisha style of poetry.

    His greatest work is Kishore Chandranana Champu which is a landmark creation extensively used in Odissi Music. His Chatur Binoda Amusement of Intelligent seems to be the first work that deals with different kinds of rasas, predominantly the bibhatsa rasa, but often verges on nonsense. The style of "Chitra Kavya" mixture of poetry and paintings was at its best in the 18th century.

    Several chitra pothis can be traced to this time.

    Pitambar Das wrote the epic Narasingha Purana consisting of seven parts called Ratnakaras in the 18th century. Bhima Bhoi, the blind poet born in a tribal Khondh family is known for his lucid and humanistic compositions like Stuticintamani , Bramha Nirupana Gita, Shrutinishedha Gita.

    After this time books were printed and journals and periodicals became available in Odia.

    The first Odia magazine, Bodha Dayini was published in Balasore in Its goal was to promote Odia literature and draw attention to lapses in government policy.

    The Utkal Deepika campaigned to bring all Odia-speaking areas together under one administration, to develop the Odia language and literature and to protect Odia interests. In the last three and a half decades of the 19th century, a number of newspapers were published in Odia.

    Odia lokagita o kahani,

    The success of these papers indicated the desire and determination of the people of Odisha to uphold their right to freedom of expression and freedom of the press, with the ultimate aim of freedom from British rule. These periodicals performed another vital function, in that they encouraged modern literature and offered a broad reading base for Odia-language writers. Intellectuals who came into contact with Odia literature through the papers were also influenced by their availability.

    Radhanath Ray — is the most well-known poet of this period.

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    He wrote with a Western influence, and his kavyas long poems included Chandrabhaga, Nandikeshwari, Usha, Mahajatra, Darbar and Chilika.

    Fakir Mohan Senapati — , the most known Odia fiction writer, was also of this generation. He was considered the Vyasakabi or founding poet of the Odia language. Senapati was born raised in the coastal town of Balasore, and worked as a government administrator. Enraged by the attempts of the Bengalis to marginalize or replace the Odia language , he took to creative writing late in life. Though he also did translations from Sanskrit, wrote poetry and attempted many forms of literature, he is now known primarily as the father of modern Odia prose fiction.

    His Rebati is widely recognized as the first Odia short story. Rebati is the story of a young innocent girl whose desire for education is placed in the context of a conservative society in a backward Odisha village, which is hit by the killer cholera epidemic.

    Senapati is also known for his novel Chha Maana Atha Guntha. This was the first Indian novel to deal with the exploitation of landless peasants by a feudal lord. It was written well before the October revolution in Russia and emerging of Marxist ideas in India. Age of Satyabadi[ edit ] Main article: Gopabandhu Das During the Age of Radhanath the literary world was divided between the classicists, led by the magazine The Indradhanu, and the modernists, led by the magazine The Bijuli.

    Gopabandhu Das — was a great balancer and realized that a nation, as well as its literature, lives by its traditions. He believed that a modern national superstructure could only endure if based on solid historical foundations. He wrote a satirical poem in The Indradhanu, which led to punishment by the Inspector of Schools, but he refused to apologise.

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    Gopabandhu joined Ravenshaw College in Cuttack to pursue graduation after this incident. He started the Kartavya Bodhini Samiti Duty Awakening Society in college to encourage his friends to take on social, economic and political problems and become responsible citizens.

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